Even the stressful Yello classic “The Race” could the audio physic Yara II evolution (1000 euros the pair) process surprisingly confident and quite punchy.
- Loudspeaker audio physic Yara II evolution + Center
- Data sheet
Like many affordable cabs, also the Yara II comes evolution of the Westphalian high end labels audio physic to a large extent from the far East. Still, or perhaps also because the value impression for a such inexpensive box is absolutely top notch.
Form and finish is absolutely solid
The box equipped with a contrasting base carries fine wood veneers, which clearly exceed the widely used foil decors on optical race and good quality. Even black or white high-gloss lacquer is at an additional cost.
Class instead of mass, this motto applies to the exterior of the Yara continues also during Assembly. Where others go to a multiple of membrane surface area and volume for the same money, audio physic you can leave it with only two drivers.
The tight membrane area limits the recoverable volume on values to 100 decibels. Are more than enough for most users, at least with smaller rooms that not too strongly damped. How to compensate for the beauty of a good linearity and an extremely smooth Omnidirectional shines. Only the much larger Nubert, whopping 10 decibels higher their level reserves, which is equivalent to the double volume shows comparable smooth sound pressure curves.
Level Bolzerei in the listening test was not the domain of Yara, undersized but she by no means sound. The Yara could handle even the stressful Yello classic “The Race” amazingly confident and quite punchy.
What brought out the Yara from the dreaded Soundcrackers on subtleties, was simply colossal. Its spatial projection, the most accurate was heavily involved and most in the field. Acoustic sounds she contributed jamo and Nubert Dick ships incredibly open and quick off the mark, however, clearly carrier and inhomogeneous.
The corresponding Center: Audio physic Yara II Center
Also once metaphorically to represent the issue not fully to each other matching surround were the belonging together stand and Center speakers measured at same location in the listening room and the curve subtracts from each other. Same sound boxes would result in a horizontal line. The illustrated curve show that this fully managed any manufacturer.
The Yara II Center sounds fundamental side louder than the level box, slim bass. The latter is hardly important, since most users run their Center in the bass-limited small mode, what saves even their level reserves. Sonically, the Yara II worked partly so strange, as he came from a different series Center. What hardly surprise us because it uses completely different chassis. Owner of Yara standing speakers are better served by a third column or select the operating mode “Phantom”.
Audio physic Yara II evolution
Technical data and test results
|Installation tip:||free-standing, distance 2 m, normal damped rooms up to 30 m²|
|Operating voltage for 90 dB SPL||3.9 V|
|Impedance minimum stp||3.7 ohm|
|Maximum volume upper value||100 dB|
|Maximum volume lower value (> 45 Hz)||100 dB|
|Lower cut-off frequency (-3dB)||62 Hz|
|Lower cut-off frequency (-6 dB)||47 Hz|
|Short conclusion||Delicate, unusually elegantly crafted Nobel level box model base solution with classic two-way technology. Fine, emphasizes natural and in particular spatial sound. Ideal for smaller spaces.|
|Sound points (70 points)||49|
|Overall rating (max. 120 points)||well 68|
|Price / performance||Very good|
|tested in output||2 / 10|